 |
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 |  |  A Second Course in Formal Languages and Automata TheoryIntended for graduate students and advanced undergraduates in computer science, A Second Course in Formal Languages and Automata Theory treats topics in the theory of computation not usually covered in a first course. After a review of basic concepts, the book covers combinatorics on words, regular languages, context-free languages, parsing and... |  |  Network: Theorizing Knowledge Work in TelecommunicationsHow does a telecommunications company function when its right hand often doesn't know what its left hand is doing? How do rapidly expanding, interdisciplinary organizations hold together and perform their knowledge work? In this book, Clay Spinuzzi draws on two warring theories of work activity - activity theory and actor-network theory - to... |
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 |  |  Maximum MIDI : Music Applications in C++The seed for this book was planted in 1993. I found myself frustrated by the obstinate, poorly documented, and woefully inadequate MIDI functions available to me as a Windows programmer. So, I set out to write a set of routines that would allow me to write music applications without sweating the MIDI details.
This seemed like a... |  |  |
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 |  |  3D Shape: Its Unique Place in Visual PerceptionThe uniqueness of shape as a perceptual property lies in the fact that it is both complex and structured. Shapes are perceived veridically—perceived as they really are in the physical world, regardless of the orientation from which they are viewed. The constancy of the shape percept is the sine qua non of shape perception; you are... |  |  |
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